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Exam 10: Music and Identity

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Question 21

Multiple Choice

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In kabuki theater,music is used:

A) to accompany every scene.
B) only between acts.
C) only during dances.
D) only during dialogue.
E) only before the drama begins.

F) A) and E)
G) B) and E)

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Question 22

Multiple Choice

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Match each item to the correct description below. -A nostalgic popular song genre closely associated with karaoke

A) pizzicato
B) kabuki
C) no rae pang
D) enka
E) col legno

F) B) and E)
G) All of the above

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Question 23

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Karaoke tends to be performed for similar purposes regardless of where it is performed and who is performing it.

China's Cultural Revolution affected Chinese music between 1966 and 1976 by:

The section of the Roman Catholic Mass that offers praise to God is called the ________.

If you sang the Happy Birthday melody backwards,from the end to the beginning,you would be singing the melody's ________.

Identities are complex but often static.

The cries of the taiko drummer in the kata shigiri mark the time.

Creole music is called ________ in reference to the title of the song The Beans Are Not Salty.

Match each item to the correct description below. -A form of drama that began in seventeenth-century Japan

Lei Liang's Gobi Gloria synthesizes elements of Mongolian music and Western music.

The purpose of the kata shigiri passage is to:

________ were a heterogeneous group of people of mixed French,Spanish,and African descent who began arriving in New Orleans in the early 1600s.

Gobi Gloria largely uses which of these textures?

Many Japanese arts,including the tea ceremony,kabuki theater,flower arranging,and karaoke,are based on the traditional Japanese value of ________,meaning "patterned form."

In kabuki theater,the vocal expression,movement,costuming,and scenic effects are guided by the principle of:

Karaoke performances in Japan are shaped by the traditional Japanese value of kata,which:

As heard in the zydeco song The Beans Are Not Salty,which instrument is most responsible for the distinctive sound of Creole music?

The chapter states that "Lei Liang's music tells us a great deal about how he perceives himself,but also about how he conceives of himself in relation to others,even others with whom he shares historical,national,and creative connections." Support this assertion by discussing Gobi Gloria and other aspects of Liang's approach to musical composition.

Code noir was a social system in eighteenth-century Louisiana that provided free blacks with legal rights but lower social status than whites.